‘You Can’t Take It With You’ Goes On Sale to Public 6-11
Producers of the upcoming Moss Hart and George S. Kaufman’s Pulitzer Prize winning play You Can’t Take It With You announce that tickets go on sale to the general public on Wednesday, June 11, 2014, and will be available by calling (212) 239-6200 or by visiting Telecharge.com.
You Can’t Take It With You will star Tony Award and Outer Critics’ Circle winner James Earl Jones (Gore Vidal’s The Best Man, Fences, The Great White Hope) as well as Tony Award nominee Kristine Nielsen (Vanya and Sonia and Masha and Spike). Further casting will be announced soon. Previews begin on August 26, 2014, at the Longacre Theatre (220 West 48th Street), with an opening night set for September 28,2014. The production will be directed by six-time Tony Award-nominee and Drama Desk Award winner Scott Ellis (The Mystery of Edwin Drood, Twelve Angry Men, 1776).
It has also been previously announced that three-time Tony Award winner Jason Robert Brown (two 2014 Tony Awards for Best Original Score and Best Orchestrations, The Bridges of Madison County; Parade), will write original music for the production.
You Can’t Take It With You will be produced by Jeffrey Richards, Jerry Frankel, Jam Theatricals, Dominion Pictures, Gutterman Goldsmith, Daryl Roth, Terry Schnuck, Caiola Productions, Rebecca Gold, Gabrielle Palitz, R&D Theatricals, SunnySpot Productions, Jessica Genick and Will Trice.
Family can do crazy things to people. And the Sycamore family is a little crazy to begin with. James Earl Jones heads the wackiest household to ever hit Broadway in Kaufman and Hart’s Pulitzer Prize-winning classic You Can’t Take It With You. He plays wily Grandpa Vanderhof, leader of a happily eccentric gang of snake collectors, cunning revolutionaries, ballet dancers and skyrocket makers. But when the youngest daughter brings her fiancé and his buttoned-up parents over for dinner, that’s when the real fireworks start to fly.
JASON ROBERT BROWN has composed music and lyrics for The Bridges of Madison County (two 2014 Tony Awards, Drama Desk Awards, Outer Critics’ Circle Award), Songs for a New World, Parade (Tony Award, Original Score), The Last Five Years (Drama Desk Awards, Music and Lyrics), and 13. As a pianist and singer, Jason has toured the world with his band The Caucasian Rhythm Kings, and his solo album Wearing Someone Else’s Clothes was on Amazon.com’s 100 Best list. Mr. Brown conducted the National Symphony in his orchestral piece The Trumpet of the Swan (written with Marsha Norman). In 2014, his next musical, Honeymoon In Vegas, will open on Broadway, and a film of The Last Five Years will arrive in theaters. Jason has taught musical theatre performance and composition at USC and is an Artist-in-Residence at Harvard University. He directed 13 in the West End and the 2013 production of The Last Five Years Off-Broadway at Second Stage. Jason lives in New York with his wife, composer Georgia Stitt, and their two daughters. www.jasonrobertbrown.com
KRISTINE NIELSEN. Broadway: Vanya and Sonia and Masha and Spike (Tony Nomination), Bloody Bloody Andrew Jackson, To Be or Not to Be, Les Liaisons Dangereuses, Spring Awakening, A Streetcar Named Desire, The Green Bird, Jackie, The Iceman Cometh. With Christopher Durang: Why Torture Is Wrong, and the People Who Love Them (Drama League, Outer Critics Circle noms.); Miss Witherspoon; Betty’s Summer Vacation (Obie, Drama Desk and Outer Critics Circle noms.); Mrs. Bob Cratchit’s Wild Christmas Binge. Off-Broadway: The Killer, Crazy Mary, Our Leading Lady, Dog Opera (Obie Award). Has appeared at many regional theaters including the Old Globe, La Jolla Playhouse and the Taper. Film: Morning Glory, That’s What She Said, The Savages, Adelaide, Small Time Crooks. Television: “Political Animals,” “Smash,” “Law & Order,” “Law & Order: CI,” “Third Watch,” NBC’s live broadcast of “The Sound of Music.” Education: M.F.A., Yale School of Drama; B.S., Northwestern.
JAMES EARL JONES made his Broadway debut in 1957 and has won Tony Awards for the Broadway productions of The Great White Hope and Fences; Tony nominations for Gore Vidal’s The Best Man and On Golden Pond; Drama Desk Awards for Othello, Les Blancs, Hamlet, The Cherry Orchard and Fences; Obie Awards for Clandestine on the Morning Line, The Apple, Moon on a Rainbow Shawl, and Baal; a Theatre World Award for Moon on a Rainbow Shawl; the Los Angeles Critics Circle Award for Fences; and an Olivier Award nomination for his portrayal of Big Daddy in Cat on a Hot Tin Roof in London. Additional theater credits include Cat on a Hot Tin Roof on Broadway, Paul Robeson, The Iceman Cometh, Of Mice and Men, and most recently Broadway, London, and Australian productions of Driving Miss Daisy. Jones is also an award-winning film and television actor and was presented with the Lifetime Achievement Oscar.
SCOTT ELLIS (Director). Broadway: The Mystery of Edwin Drood (Tony nom.), Harvey, Curtains (Tony nom.), The Little Dog Laughed (Drama League nom.), Twelve Angry Men (Tony, DD noms., OCC, DD awards, Best Revival), The Man Who Had All the Luck, The Boys From Syracuse, The Rainmaker, 1776 (DD, Tony nom., Best Director), She Loves Me (Tony nom.; DD, OCC awards), Picnic (OCC nom.), Company, A Month in the Country, Steel Pier (Tony nom.; DD, OCC awards). London: She Loves Me (Olivier Award). Off-Broadway: Gruesome Playground Injuries, The Understudy, Streamers; Good Boys and True; Entertaining Mr. Sloane; The Waverly Gallery; The Dog Problem; That Championship Season; Dark Rapture; And the World Goes ’Round: The Songs of Kander and Ebb (DD, OCC awards); and Flora, the Red Menace (DD nom). NYC Opera: 110 in the Shade, A Little Night Music (also L.A. Opera). TV: “Weeds” (Executive Producer), “30 Rock” (Emmy nom., Best Director), “Modern Family,” “Two Broke Girls,” “Frasier,” “The Good Wife,” “Hung,” “The Closer.” Mr. Ellis is the Associate Artistic Director of Roundabout Theatre Company.
KAUFMAN & HART. The Kaufman and Hart collaboration lasted from 1930 to 1940. The first play they collaborated on was Once in a Lifetime, one of the greatest success of its time. Over the next ten years they wrote seven other shows together: Merrily We Roll Along (1934), You Can’t Take It with You (1936), I’d Rather Be Right (1937), The Fabulous Invalid (1938), The American Way (1939), The Man Who Came to Dinner (1939), and George Washington Slept Here (1940).
Solo, Hart wrote Lady in the Dark, Winged Victory, Christopher Blake, Light Up the Sky, and The Climate of Eden. In addition, he wrote many screenplays that were produced in Hollywood, including the 1954 version of A Star Is Born. His most notable screenplay was Gentleman’s Agreement which won an Academy Award. Before and after working with Hart, Kaufman wrote such hits as The Butter and Egg Man, The Coconuts, and Strike Up the Band (all as a solo playwright); The Royal Family and Dinner at Eight (with Edna Ferber);The Dark Tower (with Alexander Woollcott); Animal Crackers (with Morris Ryskind); Park Avenue (with Nunnally Johnson); and The Solid Gold Cadillac (with Howard Teichman).